Showing posts with label interview. Show all posts
Showing posts with label interview. Show all posts

Friday, July 29, 2011

Who Is Art: Honey Cup

Melbourne web designer, Simone, recently made the jump into creating her own illustrated product line, Honey Cup, which is whimsical, sweet and just a bit childish, in the best possible way. Read on to find out more about Simone and Honey Cup.
First I have to ask where you got the name Honeycup for your new product line? It seems to fit it perfectly, even though I don’t know the back story. 

Hmmm, well I wish I could give this amazing story about how I searched high and low for the name, but to be honest… it was as simple as, I needed a username on Etsy and so I quickly looked at some objects on my table which consisted of honey and a cup and joined them together.

Actually though, I think I have a natural talent with names. I always get asked how I come up with names. Granted, Honey Cup isn't particularly ingenious, but I always seem to choose the right name for the right moment. So I guess I am lucky with names!




I really love the name 'Honey Cup' and think it suits my illustrations perfectly. I also love my real name, Simone :) I just scored honeycup australian web domain the other day, that was lucky too!


You recently decided to put all your creative skills to (very good) use through your sweet illustrations. What prompted you to finally branch out into something that was fully yours?

Umm desperation…ha ha! I am a freelance web designer by trade, but to be honest I am not very good at designing for others. I hate people looking over my shoulder and telling me what and how to design. I'd worked in a few advertising agencies and they were just too cut-throat for me. I am much better being in control of my own work, so basically I had to find what works for me, so I can survive this world!

But to be honest the 'Honey Cup' illustrations were not my main focus to begin with, when I first went on this personal artistic journey. I actually did them just as a bit of fun and didn't take it seriously at all. 

My main focus was ammiki.com (curated gallery) and my messenger bag label, called Nomuu. But I began to notice that I was really struggling with the bags, in terms of people being interested. And yet in the background, people were blogging about my illustrations. 

At first I was like, "No this is not how it's meant to go, my bags are meant to be the main focus!!!, but then I was like "You know what, this is how it's meant to go - ha ha". The universe was certainly telling me something, thank goodness I payed attention. Illustrating Honey Cup characters suits me so much more.
Who are the little creatures you draw? Do they all have little stories that you dream up as you work to bring them to life?

I wish I could say that I spend hours thinking up whimsical stories about these characters (just like Beatrix Potter), but I don't. I wish I did, that would be lovely. 

Instead, I literally sketch out the characters, leave a whole pile of sketches in a drawer for a few months and then decided to colour them in a few months later, when I was feeling stressed and just needed to not think of anything. It's kind of like meditation for me. All the noise from the outside world switches off and I am just concentrating on bringing the illustrations to life. I do at times feel the colouring and texturing part takes a life it's own. I don't feel like I am completely in control of it. 

I always envisage the scene to look like X, but it never turns out that way.
I love the Bird Bunny Creature illustration. I may be looking too far into it, but it almost feels as if the underlying sentiment is that we are being called back to the earth a bit, to get back in touch with nature and simplicity. But this could just be because that is how I am feeling at the moment. Do you have a message you hope to convey through your work?

Yes! At first I read your sentence, and I was like, "Na, there's nothing deep going on", but actually you nailed it. I am all about getting back to simplicity and nature. I'm all about observing the simple things in life that we tend to not pay attention to and being grateful for them. But I am not sure if my illustrations articulate that message exactly. I do hope they make people smile and feel happy...even if it's just for a fleeting moment.




I have not yet had the opportunity to visit Australia, although it is high on my list of dream spots to explore. Do you feel that living in Australia has influenced your work? Would you be drawing the same creatures if you had been born and raised anywhere else on earth?

Hard to say. I live in Melbourne Australia. It's a very artsy city. Our state is well known for it's arts and culture and so I would say, yes it has had some influence over me. 

But for the most part I think creativeness was in my genes. My mother is quite a good painter and my father sings (operatic) and worked for the Melbourne Symphony Orchestra when I was a child. So I was surrounded by amazing musicians and creatives as a child. That was a really magical time for me to be honest. Such fond memories. Imagine a child surrounded by orchestral music every week. Pretty cool for a kid!

However, just the other day I was thinking that it was actually my father that may have influenced me with my illustrations. I remember when I was bored as a child, or even when my father was bored, he would sketch out really quick quirky characters and then I would copy him. I've been meaning to ask him to draw me some!
Anything else you would like to share about yourself, your life or your work?


Well, maybe some personal insight for those that are trying to find their own creative path.
It ain't been all smooth sailing for me! I've tried lots of things to get to this point, it's been quite a journey. It's been quite a fascinating journey to see it unfold. If you told me five years ago, even six moths ago, that I would be illustrating cute little characters, I would have laughed. I couldn't see at the time that the simplest and most innocent thing suit me best. I was trying to do "big things". However, I'm learning now that, smaller, simpler things suit me much more. I still at times try to think "big", but then I have to rein in my thoughts.

I would also say, try lots of things, make mistakes, try again and never give-up. See everything as a journey, one that you can learn from.

The next thing I need to tackle is really believing in myself and my work! I am not quite there yet!




You can keep up with Simone and all of her pursuits at the links below. Does your work have a story to tell? Contact Brianne here with interest in becoming a featured artist.


My blog: ammiki.com/blog
Twitter: twitter.com/nomuu__
Facebook: facebook.com/nomuu




Much (Petal) Love,


Brianne
PetalPetal and VintageChild:Modern
www.PetalPetal.com
www.VintageChildModern.com

Friday, April 29, 2011

Who is Art: Hazel Village


If you would love to find that magical spot where foxes in tailcoats co-exist with mice in cardigans and tutus, look no further than Hazel Village.

Catalina Mouse http://etsy.me/hpvR81


Jane, the artist behind the inhabitants of Hazel Village, lets us sneak a peek at the makings of her self-described “woodland animal cottage industry”... 


Woodland creatures are not a scarcity in the handmade world, but your sweet little friends look like they have personalities just bursting out of them. How do you inject so much life into inanimate objects?

I imagine them with the personalities of really cool four-year-olds. It helps that their general proportions, and their flailing limbs, are more evocative of toddlers than any other type of person.




But technically speaking, the visual thing that gives them the most personality is probably the white ring around their eyes. It's really remarkable how much more alive the animal looks with that little touch, like it just put its glasses on and is awake now. I usually do that part last, because once it's done I feel like the animal is staring at me, and would object if I did any more surgery on it.


You mention that you stitch up your little creatures in the garret of a little house in Brooklyn, NY. Does the fact that you live in one of the busiest cities on the planet pull you towards the idea of creating animals that would be found in forests and woodlands?

Ha! A good question. As Jonathan Richman said, "I want the city, but I want the country too." In fact, I think the animals and I have a similar pace of life; we walk around and visit our friends, we do little errands and projects. In the scheme of things, we all have charmed lives and are well provided for. I mean, I have a job and live in the normal economy, and they live in a utopian gift economy of some kind, but it's all a matter of perspective.

Toadstool Rattle http://etsy.me/gyBQov



Also, I think living far from nature helps me mythologize the paradise world of Hazel Village. The animals don't have mosquitoes, or foul smelling muck, or snow tires, or wintry mix; i.e. the exact sorts of things that make me happy to be a city girl.



Have your sweet little animals always been such brilliant dressers, or did their wardrobe evolve over time?

Brilliant dressers, always. And modest too. Actually I used to use more silk and delicate fabrics. Their wardrobes have evolved to be sturdier for babies, and quicker to produce on a sewing machine. I try to design the patterns so the clothes have hand-stitched details where they count, like a contrasting buttonhole or a little embroidered detail on the dress front.

Reginald Fox http://etsy.me/gfllRK


I adore Annicke Mouse and I’m sure you must fall in love with all the little creatures you make as well! Is it ever hard for you to part with your little critters after pouring so much time into them? Have you ever set one aside for yourself? Initial prototypes, perhaps?

Annicke Mouse http://etsy.me/gCBvrw



Not really. If I set one apart, what would that say about all the others? I really love them all, and I love it when they go to new homes. Everyone is so nice about them; they seem to bring out the best in people.

Annicke Mouse http://etsy.me/gCBvrw



There have been one or two that were too odd looking to sell. Last fall when my sister Lucy came to visit, she adopted a yellowish-green understuffed bunny who was occupying a sort of forlorn place in my workshop. She insisted she liked that one.

Right now, I also have a toad with some hand-stitching under her eyes, which makes her look a little creepy and Tim Burton-ish. I haven't been taking her to markets, but she needs a home too. If anyone would like to adopt her, please let me know (hazel.village.toys@gmail.com, most compelling case wins) and I will mail her to you.

Squeaky Robin http://etsy.me/gRgo7D


What motivates you to continue to create and be a part of the handmade community?

I guess that people keep buying animals. Especially when I hear about their new lives with their kid (or grownup) owners. Sometimes people send me photos of their kids hugging the animals, which makes me really happy. Seriously, each picture is cuter than the last. You can see them on the animals' Facebook page (
facebook.com/hazelvillage).



But really, I love making things more than anything else. If I were on a desert island, I would do cool desert island crafts. If I were in prison, I would do prison crafts. On a related note, when I was in elementary school I did a lot of craft projects, using locally available materials, in the cubby under my desktop: cheese wax sculptures, braided chains of clover blossoms, tiny baskets and mats woven from twisted strands of Kleenex. So maybe a more apt question would be, what motivates me to socialize with my fellow man? And the answer would be, I have never been alone for long enough to be sure.


Anything else you would like to share about your life, work or inspirations?

Coming soon: separate outfits for the animals, custom monograms, limited edition animals with extra special details.
Coming in September: animals hand-made in an ethical factory in Doddaballapur, India, available at 
hazelvillage.com and in stores.



Mortimer Mouse http://etsy.me/h31Hdy


You can go deeper into the lives of Hazel Village at the links below. Jane has also offered my readers a 10% discount on all orders through May using the Coupon Code PETALHANDMADE! So sweet!



And next week, we chat it up with Sarah Louise of Branchbound (who is awesome). Check out her handmade lace jewelry and accessories now, then come back next Friday for her Who Is Art feature. P.S. - If you or your work has a story to tell, let me know!

Much (Petal) Love,

Brianne
PetalPetal designs and VintageChild:Modern

Friday, April 22, 2011

Who Is Art: Floodplain Studio

I’ve always believed that there is an art to science and a science to art, which is probably why I was immediately attracted to “How It Eats,” an original drawing by Cara of floodplain studio on Etsy.

"How It Eats" by floodplain studio


Then I read her Etsy profile and knew I had found a woman after my own heart. Here’s how she describes her work…


I make unique, accessible, quality accents for your interiors, things I like to see in my own space: joyful things, bold, simply composed, spirited things.

dark head original ink & acrylic drawing by floodplain studio


I’ve got a special place in my heart for depicting unsung heroes of the animal kingdom, critters that adapt and survive in our midst. I also love to work with sign, symbol and diagram.

You can read the interview below...

little red bird print by floodplain studio


What do you see as our relationship to the natural world and the rest of the animal kingdom?

We may not always understand our place in it, but I firmly believe we are an intrinsic part of the animal kingdom. Granted, we spend a lot of time using technology to separate ourselves from the natural world. But I say thank goodness because we don't have warm fur to protect us from the cold and our babies take so long to grow up! If I had to raise my son Felix in the jungle, he and I would've been eaten by a tiger long ago.

I think technology is both a blessing and a curse. Sometimes it's the very thing we need, while at other times it seems to take us closer to our destruction. But this in itself is natural, really. All species experiment to find the best means to survive and prosper.

 man-made man print by floodplain studio

bunny friend print by floodplain studio


I love that there is something almost scientific about many of your pieces. There is so much realism. And then you throw in a depiction of a jackalope. Would you say you see the world through more of a scientific lens or with the hope that anything is possible?

Both! At the bottom of the ocean floor scientists are discovering new animals every day, animals that require no sunlight and can survive in freezing cold water by living near geothermal vents.

I live in the desert, and at first glance it looks barren, but it's actually teeming with life. Harsh environments aren't explored as much as pleasant ones. Who knows what's out there in the desert, or deep in the jungle, or way below in the cave?!

jackalope print by floodplain studio


Where do the inspirations for “How It Eats” and “How It Stands” come from? Are they your own questions that you answer through your art?

My Etsy work is all about striking a balance. I love contemporary drawing but so often it comes across way too serious or a bit stodgy. A good drawing should entertain people, make them laugh or ponder a bit. I like a strong visual punch, so I use formal aspects of contemporary drawing, but I never try to purge my stuff of what might be considered kitschy or lowbrow or folk or whatever.

Both of those drawings are meant to be a bit silly, but also beautiful in an unusual kind of way. And it goes back to each species ability to adapt: the process a cow goes through to digest otherwise inedible food astounds me! They say truth is stranger than fiction.

 "how it stands," original ink drawing by floodplain studio

0908, original microcosmigram by floodplain studio



Any other insights or interesting notes on your work you would like to share?

Not really, other than to thank you for featuring me on your beautiful blog and to tell you that your children's clothing line is wonderful. And I want to encourage everyone to visit our little shops and other little shops on Etsy. It's a place where us little guys with big ideas can adapt and even thrive amidst the big box/big brand dinosaurs.

doodle head 8x8 print by floodplain studio

wooly goat linocut print by floodplain studio



Cara, and her work, are a delight. To find out more about her work, visit her at any of the links below...
Blog: www.carawalz.wordpress.com


Next week we'll chat with Jane of Hazel Village about her self-described "woodland animal cottage industry."


For the complete Who Is Art series, click here or let us know if your work has a story to tell!


Much (Petal) Love,

Brianne
PetalPetal designs and VintageChild:Modern

Thursday, April 21, 2011

Bitty Blurb on Be One of a Kind...

Our sponsor spotlight is up here on the Be One of a Kind blog. Pop over and give it a read!





Much (Petal) Love,

Brianne
PetalPetal designs and VintageChild:Modern
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